When he died in 1924, Quinn bequeathed his letters to the New York Public Library, but the courts construed his will as barring publication in any form until 1988. Scholars who have been permitted to read them in the library's Manuscript Room have to sign a special form agreeing not to use direct quotation, and are forbidden to take notes.

But to Kavanagh, these restrictions were outrageously unjust...

In the Manuscript Room, he had no compunction about signing the pledge not to quote from the letters. "To me," he explains, "that paper had no more validity than posting a sign in my flat, 'Not responsible if the roof falls in.' I was driven and had no choice."

For 13 days Kavanagh pored over the letters. Unable to take notes, he simply memorized salient passages, then rushed outside to jot them down. When he had all he wanted he went on to the most arduous task of all: hand-setting the book and printing it...

Kavanagh had not sold a single copy of the Quinn Letters when the library served him with a restraining order, preventing him from distributing the edition and demanding its confiscation. At that point, Kavanagh made a heartbreaking decision.

"I don't want their bloody hands on my book," he said, and on the morning of the hearing he systematically hacked 117 volumes with a shoemaker's knife, shearing them down the middle. "It's like tearing my heart out," he said...

Kavanagh arrived in court with a briefcase crammed with the literary remains. He approached the bench and addressed the judge as "your lordship." Then he upended his briefcase and scattered his shredded copies as evidence that he had obeyed the injunction. The judge explained that he was not "his lordship" and gave Kavanagh permission to keep two unshredded copies of the book for himself.

Alongside her performance work, Tutti had engaged in a long career of sex work and stripping; however, she noticed that the perspectives of women, the dominant workforce of the industry, were palpably missing from an already non-forthcoming discourse, so she set about to reveal their reality.

Time to Tell was the resulting product, a groundbreaking sonic journey of the sex industry from the female worker’s point of view. Using only the medium of sound, it manages to execute the feat of taking the listener through the emotional processes of a seemingly shameful act and makes them less untoward and more accessible. The record begins in a way you might imagine – foreboding and full of trepidation, as if at the entrance to a dark jungle underworld. But as the music progresses, we realise that the truth of the matter is actually very different.

According to this invention, one or more pendant members are attached to a support intermediate the ends thereof and arranged for pendulation and revolution relative to the support. The support is adapted to be held in near horizontal position between the bodies of two people by pressure exerted in opposite directions against opposite ends of the support so that the pendant member or members is or are suspended for movement in an orbit between the bodies of the two people. By manipulating their bodies in proper coordination, it is possible to start the pendant member or members swinging back and forth about the support as an axis; and then by properly increasing the amplitude, the tempo and/or the quirk of body movement together, cause the pendant member or members to revolve about the support. Preferably, the pendant member is flexible, but weighted at the end remote from the support and attached securely (i.e., non rotatably) to the support so that it will wind-up on the support during rotation.

When the pendant members are finally wound up on the support, the game may be termed completed. On the other hand, if the pendant member be loosely attached to the support (i.e., so as to permit relative rotation at the connection) rather than winding-up on, it will go into circular or near circular orbit about, the support; and in such case, it is easier to accomplish the result if the pendant member be stiff rather than flexible. To complete the game is a difficult feat and one not easily accomplished, especially if certain rules are adopted which prevent the participants from using their hands or moving their feet. It can also be provided that if one of the parties or participants allows the support to slip and fall, he or she is immediately disqualified; but as it is ofttimes difficult to pin the blame on one participant, it is preferred, at least where there are numerous participants, either to disqualify the team, or to give each team three strikes before disqualifying them. Under such rules, it will be readily appreciated that participation in the game involves considerable exercise, skill and coordination, and provides amusement galore, not only for the participants, but also for onlookers.

historically, apprentices in the printing industry take part in ‘banging out’.

Upon the completion of their rigorous training, print apprentices were doused with all sorts of ink and print waste materials by their colleagues, before being paraded through their factories and towns in an outlandish community-building initiation that would never pass today. This bygone tradition dated back to the Fleet Street newspaper factories, when retirees were given the same treatment whilst being serenaded by the sound of banging tools – hence the name of ‘banging out’.